SERIES PITCH / LOST ANGELES, 2066
WARRANTY VOID
Modified bodies.
Voided terms of service.
Five leads. One chosen family.
A short-form series filmed from inside its own world.
01 / THE HOOK
They film everything.
Five outcasts became a family.
They take risky jobs, film themselves doing them, and post the footage to their own channel. The channel is the show.
Comedy first: jobs go wrong, bets get out of hand, and the crew plays it completely straight.
For the audience that grew up on GTA roleplay: the hangout is the show.
02 / THE WORLD
Your genome is your citizenship.
States and companies built people for service. Leaving does not make their claims disappear.
- Kavast: wolf-pack runaways are hunted.
- Protectorate: escaped raven operators are listed as stolen property.
- Eastern Compact: bear soldiers are written off.
- Private lines: bankrupt makers leave orphanware.
A mixed crew is a splice. It used to be an insult.
03 / THE ENSEMBLE
Nobody assigned this family.
Four gene-forged people.
One baseline human.
Five equal leads.
Danka, Theo and Grigor came out of state systems. Cas bought herself free after her private manufacturer collapsed. Ozzy talked his way in.
Every episode belongs to the crew. Their silhouettes, habits and conflicting instincts carry the comedy.
PEDESTRIAN // WOLF // 24 // THE DRIVER
Danka Ivel
- She ran away from a Kavast wolf pack. The government owned everything she ever had, so now she only trusts things she bought and built herself. The most important one is her weathered pink sedan, Civilian. She rebuilt it herself. Civilian belongs to Danka, and she drives it.
- She talks in short, flat sentences. When she gets angry, she gets quieter, not louder.
- She misses the pack she left behind. She will never say it out loud. The government still uses her old family in its TV recruitment ads.
“New plan. The plan is I drive.”
B-ROLL // RAVEN // 22 // THEY/THEM // THE CAMERA
Theo Ashe
- Theo grew up in a raven spy team where nine soldiers shared one connected mind. They escaped at twenty. Being alone in their own head almost broke them, so they built an audience instead: thousands of viewers, watching what Theo sees.
- Theo runs the channel, shoots the videos, and cuts every episode. They rarely talk on camera. Their hand-written title cards do the talking.
- Theo secretly films the crew's private, happy moments and never posts them. That hidden archive is how Theo says “I love you.”
“We'll fix it in the edit. That's not a joke, that's my entire personality.”
PATIENT // BEAR // 34 // THE ANCHOR
Grigor Tam
- A bear soldier built to endure anything. He has watched two whole teams die around him. His only goal now is simple: keep these five alive long enough to grow old.
- He is the crew's cook, medic, and calm center. He speaks slowly, in full sentences. When he says something short and fast, everyone knows there is trouble.
- He shows love by feeding people. He never talks about his own pain. Both of those are going to matter.
“We don't leave. This is not a rule. It is a description of what happens.”
SPREADSHEET // FENNEC // 26 // THE PLANNER
Cas, Caseline-9
- A private company built her, then went bankrupt and sold its people like used equipment. At nineteen she bought her own contract back. The ownership papers hang on her wall like a diploma.
- She plans every job in numbered steps and says everything with exact numbers. Her jokes are so dry it takes new viewers a week to notice them. When a plan falls apart, she goes silent for exactly three seconds. The crew counts along.
- The company made twelve like her. She keeps a card listing the other eight and spends her savings trying to find them.
“That's not a plan, Ozzy. That's a sentence you said with confidence.”
OEM // ORDINARY HUMAN // 19 // THE MOUTH
Ozzy Okonkwo-Cruz
- No animal DNA. No upgrades. Just a fast-talking kid from the market who sold bootleg shirts of the crew until they hired him. In a crew of engineered soldiers, being ordinary is his whole identity: OEM means original equipment.
- He does the talking, the deals, and the merch. He calls his mother every single night, even mid-crisis. She thinks he does logistics.
- He is secretly afraid the crew would leave him behind because he is the weakest one. He is wrong. They keep him because he is the only one who knows how people feel. He does not believe that yet.
“OEM means original. Look it up. Original. Equipment. Me.”
09 / COMMANDER ILYA VROZA
He loves his soldiers. That is the problem.
Vroza believes the system that built him is good. The crew’s free, happy life contradicts everything he believes.
Pranks, bets and public embarrassment turn his feud with them into city entertainment. He is the only person not laughing.
Grava Pack / six wolves / posted in Lost Angeles under treaty.
“Loyalty is not learned. So what, precisely, do you imagine holds you five together?”
10 / FOUR FORMATS
Every episode is an in-world video.
OPERATOR LOG / 2–5 MINThe crew’s video, edited and posted by Theo.
PUBLIC RECORD / 30–60 SECRecruitment ads and official notices: clean, beautiful, disturbing.
RECOVERED FILE / 30–90 SECLeaked footage from cameras the crew does not control.
INCIDENT / 8–12 MINThe finale, where everything collides.
Sound belongs to the world. Timestamps never lie. Title cards are handwritten and photographed.
11 / THE TONE
Funny first. Then it hits you.
In any three episodes, at least two are funny.
Heists go wrong. Pranks get production value. Every dumb situation is taken completely seriously.
Under the noise, everyone carries something heavy. The rare quiet moment lands because the channel is usually loud.
no footage. i was busy.
13 / ALREADY ON THE SHELF
A world you can already enter.
The Mission Book, Volume One.
154 pages. 32 playable jobs. Eight city districts. Available on the website and as a downloadable PDF.
- Property of Nobody: the complete setting guide.
- IP and Wardrobe Bibles: characters, visual language and continuity.
- Story material: scripts, fiction and a season framework.
Artwork uses the current approved character identities, including AI-assisted visual development.
14 / THE FRANCHISE
What they wear. What the audience buys.
Inside the story, bootleg shirts help pay the crew’s bills. The same visual language connects the screen, the table and the wardrobe.
- The channel: short-form video. The flagship.
- The table: playable jobs in their city.
- The page: fiction built from story arcs.
- The shirt: the crew’s own merch language.
JESSE ALEXANDER / ORBITAL RANCH STUDIO
Five leads. One crew. Already rolling.
WARRANTY VOID
Terra Conflictus 2066 / Operator Tactics
Series pitch / current visual edition
